Mobile Photography

They say the best camera is the one you have with you. I’ve got a Nikon D90 and I for-sure don’t want to carry that old thing around in my day-to-day life, but I see a lot of great photo opportunities all around me during my travels and at home, and I never get to shoot them. Enter the cell …

Rachel Dashae // Sprocket Models

After the failures/lessons of the first two Sprocket Photography experiments, we’re finally able to take some proper photos! In this first installment of Sprocket Models, we’ve got Rachel Dashae out of Pittsburgh. At the end of February we shot a few rolls of expired Fuji Superia X-TRA 400 for this project in West Los Angeles, cutting it up about our …

Season One: Recap

2017 saw the launch of Season One. At first it was intended to be a showcase for multiple artists, primarily scripted, with some music videos thrown in. Obviously that changed. For multiple reasons we didn’t hit our goal and instead created a series mostly focusing on artisans and their craft. While I’m proud of the work done, it’s not what …

GDrive Mobile SSD

There comes a time in every working filmmakers life where at the end of the day, they have to dump all the footage they shot onto a couple hard drives for delivery and backup. Quite often, this happens on-location or in the field, which is one of the reasons so many people have tried to perfect their backup strategy. The …

Sprocket Shots Pt.2

In our last Sprocket Shot article we discussed how by loading the film in to our Medium Format camera backwards, we get Redscale Photographs. This effect happens because “there is a strong color shift to red due to the red-sensitive layer of the film being exposed first, rather than last [the red layer is normally the bottom layer in C-41 …